February 3, 2025

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๐Ÿ‘ ๐จ๐Ÿ ๐Ÿ๐Ÿ’ | ๐…๐ž๐›๐ซ๐ฎ๐š๐ซ๐ฒ๐Ÿ‘ ๐จ๐Ÿ ๐Ÿ๐Ÿ’ | ๐…๐ž๐›๐ซ๐ฎ๐š๐ซ๐ฒ#landscapepainting ๐…๐จ๐ฎ๐ซ๐ญ๐ž๐ž๐ง

๐Ÿ๐Ÿ’ ๐‹๐š๐ง๐๐ฌ๐œ๐š๐ฉ๐ž๐ฌ ๐ข๐ง ๐Ÿ๐Ÿ’ ๐ƒ๐š๐ฒ๐ฌ

๐€๐œ๐ซ๐ฒ๐ฅ๐ข๐œ ๐จ๐ง ๐๐š๐ฉ๐ž๐ซ | ๐Ÿ—๐ฑ๐Ÿ๐Ÿ | $๐Ÿ•๐Ÿ“

Unlike the last two pieces, todayโ€™s painting isnโ€™t inspired by another artistโ€™s work but by my own experiences. The ๐˜๐—ต๐—ฟ๐—ฒ๐—ฒ ๐—ฐ๐—ฟ๐—ผ๐˜€๐˜€๐—ฒ๐˜€ ๐—ฏ๐—ฒ๐˜€๐—ถ๐—ฑ๐—ฒ ๐˜๐—ต๐—ฒ ๐—ต๐—ถ๐—ด๐—ต๐˜„๐—ฎ๐˜† are a familiar sight to drivers throughout the Southโ€”unassuming, yet unmistakable. This image is from the side of the highway close to West Point, MS.

This piece reflects the place I call home, where ๐—ณ๐—ฎ๐—ถ๐˜๐—ต, ๐˜๐—ต๐—ฒ ๐—ต๐˜‚๐—บ๐—ฎ๐—ป-๐—บ๐—ฎ๐—ฑ๐—ฒ ๐˜„๐—ผ๐—ฟ๐—น๐—ฑ, ๐—ฎ๐—ป๐—ฑ ๐—ป๐—ฎ๐˜๐˜‚๐—ฟ๐—ฒ ๐—ถ๐—ป๐˜๐—ฒ๐—ฟ๐˜๐˜„๐—ถ๐—ป๐—ฒ. Power lines stretch across the sky, quiet markers of the world we build within the one we were given. And amid the tangle of wires, the crosses remainโ€”still and steadfast, reminders of the faith woven into the culture of this place.

Itโ€™s about contrast and connection, the sacred within the ordinary, and the moments that make us pauseโ€”to notice, to reflect, to find the ๐—ฎ๐˜„๐—ฒ-๐—ถ๐—ป๐˜€๐—ฝ๐—ถ๐—ฟ๐—ถ๐—ป๐—ด ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—ฒ๐˜ƒ๐—ฒ๐—ฟ๐˜†๐—ฑ๐—ฎ๐˜†.

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๐Ÿ‘ ๐จ๐Ÿ ๐Ÿ๐Ÿ’ | ๐…๐ž๐›๐ซ๐ฎ๐š๐ซ๐ฒ๐Ÿ‘ ๐จ๐Ÿ ๐Ÿ๐Ÿ’ | ๐…๐ž๐›๐ซ๐ฎ๐š๐ซ๐ฒ#landscapepainting ๐…๐จ๐ฎ๐ซ๐ญ๐ž๐ž๐ง

๐Ÿ๐Ÿ’ ๐‹๐š๐ง๐๐ฌ๐œ๐š๐ฉ๐ž๐ฌ ๐ข๐ง ๐Ÿ๐Ÿ’ ๐ƒ๐š๐ฒ๐ฌ

๐€๐œ๐ซ๐ฒ๐ฅ๐ข๐œ ๐จ๐ง ๐๐š๐ฉ๐ž๐ซ | ๐Ÿ—๐ฑ๐Ÿ๐Ÿ | $๐Ÿ•๐Ÿ“

Unlike the last two pieces, todayโ€™s painting isnโ€™t inspired by another artistโ€™s work but by my own experiences. The ๐˜๐—ต๐—ฟ๐—ฒ๐—ฒ ๐—ฐ๐—ฟ๐—ผ๐˜€๐˜€๐—ฒ๐˜€ ๐—ฏ๐—ฒ๐˜€๐—ถ๐—ฑ๐—ฒ ๐˜๐—ต๐—ฒ ๐—ต๐—ถ๐—ด๐—ต๐˜„๐—ฎ๐˜† are a familiar sight to drivers throughout the Southโ€”unassuming, yet unmistakable. This image is from the side of the highway close to West Point, MS.

This piece reflects the place I call home, where ๐—ณ๐—ฎ๐—ถ๐˜๐—ต, ๐˜๐—ต๐—ฒ ๐—ต๐˜‚๐—บ๐—ฎ๐—ป-๐—บ๐—ฎ๐—ฑ๐—ฒ ๐˜„๐—ผ๐—ฟ๐—น๐—ฑ, ๐—ฎ๐—ป๐—ฑ ๐—ป๐—ฎ๐˜๐˜‚๐—ฟ๐—ฒ ๐—ถ๐—ป๐˜๐—ฒ๐—ฟ๐˜๐˜„๐—ถ๐—ป๐—ฒ. Power lines stretch across the sky, quiet markers of the world we build within the one we were given. And amid the tangle of wires, the crosses remainโ€”still and steadfast, reminders of the faith woven into the culture of this place.

Itโ€™s about contrast and connection, the sacred within the ordinary, and the moments that make us pauseโ€”to notice, to reflect, to find the ๐—ฎ๐˜„๐—ฒ-๐—ถ๐—ป๐˜€๐—ฝ๐—ถ๐—ฟ๐—ถ๐—ป๐—ด ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—ฒ๐˜ƒ๐—ฒ๐—ฟ๐˜†๐—ฑ๐—ฎ๐˜†.

๐Ÿ‘ ๐จ๐Ÿ ๐Ÿ๐Ÿ’ | ๐…๐ž๐›๐ซ๐ฎ๐š๐ซ๐ฒ๐Ÿ‘ ๐จ๐Ÿ ๐Ÿ๐Ÿ’ | ๐…๐ž๐›๐ซ๐ฎ๐š๐ซ๐ฒ#landscapepainting ๐…๐จ๐ฎ๐ซ๐ญ๐ž๐ž๐ง

๐Ÿ๐Ÿ’ ๐‹๐š๐ง๐๐ฌ๐œ๐š๐ฉ๐ž๐ฌ ๐ข๐ง ๐Ÿ๐Ÿ’ ๐ƒ๐š๐ฒ๐ฌ

๐€๐œ๐ซ๐ฒ๐ฅ๐ข๐œ ๐จ๐ง ๐๐š๐ฉ๐ž๐ซ | ๐Ÿ—๐ฑ๐Ÿ๐Ÿ | $๐Ÿ•๐Ÿ“

Unlike the last two pieces, todayโ€™s painting isnโ€™t inspired by another artistโ€™s work but by my own experiences. The ๐˜๐—ต๐—ฟ๐—ฒ๐—ฒ ๐—ฐ๐—ฟ๐—ผ๐˜€๐˜€๐—ฒ๐˜€ ๐—ฏ๐—ฒ๐˜€๐—ถ๐—ฑ๐—ฒ ๐˜๐—ต๐—ฒ ๐—ต๐—ถ๐—ด๐—ต๐˜„๐—ฎ๐˜† are a familiar sight to drivers throughout the Southโ€”unassuming, yet unmistakable. This image is from the side of the highway close to West Point, MS.

This piece reflects the place I call home, where ๐—ณ๐—ฎ๐—ถ๐˜๐—ต, ๐˜๐—ต๐—ฒ ๐—ต๐˜‚๐—บ๐—ฎ๐—ป-๐—บ๐—ฎ๐—ฑ๐—ฒ ๐˜„๐—ผ๐—ฟ๐—น๐—ฑ, ๐—ฎ๐—ป๐—ฑ ๐—ป๐—ฎ๐˜๐˜‚๐—ฟ๐—ฒ ๐—ถ๐—ป๐˜๐—ฒ๐—ฟ๐˜๐˜„๐—ถ๐—ป๐—ฒ. Power lines stretch across the sky, quiet markers of the world we build within the one we were given. And amid the tangle of wires, the crosses remainโ€”still and steadfast, reminders of the faith woven into the culture of this place.

Itโ€™s about contrast and connection, the sacred within the ordinary, and the moments that make us pauseโ€”to notice, to reflect, to find the ๐—ฎ๐˜„๐—ฒ-๐—ถ๐—ป๐˜€๐—ฝ๐—ถ๐—ฟ๐—ถ๐—ป๐—ด ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—ฒ๐˜ƒ๐—ฒ๐—ฟ๐˜†๐—ฑ๐—ฎ๐˜†.